Ryunosuke Akutagawa and Patrick Suskind’s depiction of evil unveils human depravity in Perfume and “Rashomon”

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Issue:

English

 

Written by:

Scott W

 

Date added:

June 4, 2014

 

Level:

University

 

Grade:

A

 

No of pages / words:

6 / 1560

 

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9814 times

 

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Relating to the modernism brought to traditional Japan, Akutagawa first uses colours—using their significance in Japanese culture—in representing evil thus revealing the society’s condition. His first subtle hint of evil is through the gate’s ‘crimson lacquer’ (p. 31) that has ‘rubbed off here and there’ (p...
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31) that has ‘rubbed off here and there’ (p. 31), signifying that the once great construction no longer radiates with vitality and spirit; it is now a ‘hide-out … place for abandoning unclaimed corpses’ (p. 31). Akutagawa tarnishes the religious belief of the corrupted society with ‘broken pieces of Buddhist images’ (p...
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