The Narrative Techniques and Style of the Language in Hemingway's The Old Man and the Sea

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Issue:

English

 

Written by:

Scott W

 

Date added:

February 13, 2014

 

Level:

University

 

Grade:

C

 

No of pages / words:

3 / 732

 

Was viewed:

8138 times

 

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Essay content:

In the first forty-five days a boy had been with him. But after forty days...the boy’s parents had told him that the old man was now definitely and finally a salao, which is the worst form of unlucky...” Hemingway has deliberately chosen to maintain the stricktest objectivity, to remain in the background so that the reader may have free entry to a story which is extraordinarily centred around a dominating self whose sensations and reflections correspond to the patterns of the story...
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In the Old Man and the Sea the authorial voice is recognised and reinforced by the conviction, sporadically renewed, that it connotes rather than denotes. It has been rightly pointed out by Harvey Breit that in this novel Hemingway has fused “...under a sustained pressure the opposite elements of experience and vision, of prosaic event and dramatic or poetic insight...
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