A point in favor of a co-regency is the appearance during the latter years of Amenhotep III's reign of artistic styles that are subsequently seen as part of the 'revolutionary' Amarna art introduced by Akhenaten; on the other hand, both 'traditional' and 'revolutionary' Art styles could easily have coexisted during the early years of Akhenaten's reign... displayed 300 characters
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At any rate, if there had been a co-regency, it would not have been for longer than the short period before the new king assumed his preferred name of Akhenaten ('Servant of the Aten') in Year 5.
The beginning of Akhenaten's reign marked no great discontinuity with that of his predecessors. Not only was he crowned at Karnak (temple of the god Amun) but, like his father he married a lady of non-royal blood, Nefertiti, the daughter of the vizier Ay... displayed next 300 characters
Akhetaten became the center of Amenhophis IV attention and his eventual home.
During the building of Akhetaten, Amenhophis IV changed his name to Akhenaten due to his worship of Aten represented as the "Sun-Disk"...
Breasted declared that "Thebes was now compromised by too many old associations to be a congenial place of residence for so radical a revolutionist." Cyril Aldred briefly discusses Akhenaten leaving Thebes to escape the domain of Amun...
The first to offer the hypothesis that Akhenaten suffered from Froehlich syndrome was Dr. G. E. Smith, however, some facts do not fit this hypothesis. Victims of Froehlich syndrome are usually attributed with endocrinal mutation resulting in impotency...
7 / 1799
According to Dr. Redford, a professor of Egyptology and the director of the Akhenaten Temple Project, Smenkhkare may have succeeded Akhenaten by a short while, during which he made half-hearted attempts at going back to the old religion (something which probably wouldn't have happened while Akhenaten was alive)...
A point in favor of a co-regency is the appearance during the latter years of Amenhotep III's reign of artistic styles that are subsequently seen as part of the 'revolutionary' Amarna art introduced by Akhenaten; on the other hand, both 'traditional' and 'revolutionary' Art styles could easily have coexisted during the early years of Akhenaten's reign...
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