The titles, like the film, are reminiscent of the period, whilst reminding the audience that despite its retro flavour this is a contemporary movie that is bringing the caper movies of the sixties to modern sensibilities. The title sequence with which critics drew obvious comparisons, in terms of visual imagery, a playful narrative and a memorable scor,e was that of The Pink Panther, which quintessentially invokes memories of the tongue in cheek humour of the crime comedies of that era...
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Designer Olivier Kuntzel recalls the director, Steven Spielberg, instructing him and Deygas to give the titles a sixties feel. Back then, film openers had a graphic look. Spielberg wanted the sequence to place the audience in that period while introducing the story to them.” ( …) Kuntzel and Deygas did a great job of incorporating different elements from the movie’s narrative into the film titles, the most obvious being the chase between Frank and Hanratty...
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