This is a very different character to what we expect from Iago’s preparation for the introduction of Othello. Where we are expecting an angry and possibly violent character, we instead are met with something completely surprising, a quiet and calm man who dismisses Roderigo’s insult and even avoids the prospect of a conflict... displayed 300 characters
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His personified language ‘greedy ear’ (1.3.148) also allows us to form the opinion that due to the way Othello uses language, he is a very exaggerated and boastful character.
Instead of having a character describe Iago for the audience, Shakespeare allows Iago to paint his own character portrait. Although Iago starts off as a somewhat passive character he soon shows himself to be the villain of the play; although Iago isn’t your conventional “villain” and is instead can be seen as a far more complex character, this self exposing feature of Iago also helps us as an audience to prepare ourselves to be sympathetic towards Othello... displayed next 300 characters
Then Emilia jumps in and is about to say something but Iago whispers something to her and tells
her that its time to go home, but Emilia refuses and starts to speak out and says that the handkerchief was left behind in the bed and she picked it up...
Othello is planning
Desdemona's death. He appears to be very stressed out, by the way he acts and
talks. He tries to think that everything is all right but based on what he
hears from Iago, it really isn't...
When she reveals Iago to Othello, Othello sends for Iago along with Cassio, Gratiano, Montano, and Lodovico. When Iago learns he has been discovered, he turns to real cowardness and stabs his own wife, committing
the same sin as Othello...
ii 26-30)" Soon after all the warnings he gets about Desdemona he confronts her. Are not you a strumpet? / No I am a Christian/ If to pressure this vessel for my lord/ From any other foul unlawful touch/ Ben not to be a strumpet; I am none (Act...
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