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Essay heading: Bedrich Smetana’s Piano Trio in G Minor, Op. 15
 
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Issue: Music and Movies
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Date added: June 2, 2000
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No of pages / words: 5 / 1214
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The theme then ends and enters back into the feeling of tension. The tension then wells up to the climax of the piece. Once the climax is reached, the musical lines dissipate to the recapitulation and then accelerate to an unsettling minor end. This ending differs from the other two movements as they both end in major, not minor...
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This movement serves to depict the memory of Smetana’s daughter’s childlike beauty and nature. The piece begins in G minor with a fast paced, upbeat feel driven by the piano. In Alternativo I, the pace slows to andante and a calm, serene melody shaped with legato is carried, perhaps depicting the characteristics of Smetana’s daughter’s personality...
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