Tonio sings in the Prologue: 'for we are men of flesh and blood', and the whole opera leads to the irony of the second act where fiction and reality become blurred. Even the final line 'the comedy is over', brings the verismo full circle. In both Cavalleria and Pagliacci, the bulk of the drama is the result of scorned lovers (Santuzza and Tonio) who reveal the private affairs of their former beloveds (Turrido and Nedda)...
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Tonio sings in the Prologue: 'for we are men of flesh and blood', and the whole opera leads to the irony of the second act where fiction and reality become blurred. Even the final line 'the comedy is over', brings the verismo full circle. In both Cavalleria and Pagliacci, the bulk of the drama is the result of scorned lovers (Santuzza and Tonio) who reveal the private affairs of their former beloveds (Turrido and Nedda)...
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