With the industrial revolution, a new message arrived: man versus himself. This message was most evident in Degas' many equestrian paintings; Laurie Schneider Adams states, "In At the Races, Degas' figures are in a state of restlessness? At the left, a single horse gallops into the picture plane as his jockey reins him...
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The arrested movement of the galloping horse draws attention to the distant train that continues on? Degas refers to the contrast between mechanized and natural movement and to the changing modes of transportation created by the industrial revolution." (Adams, 821) The industrial Revolution continued mans affair with himself: the ambition to always perfect, refine, and move forward...
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"More light and light, more dark and dark our woes". Bright light, therefore, represents Blanche's youthful sexual innocence, while poor light represents her sexual maturity and disillusionment. One of the play's most consistent visual motifs is the contrast between light and dark, often in terms of night/day imagery...	2 / 437
Explore the way in which Williams presents and uses the relationship of Blanche and Mitch in "A Streetcar Named Desire" Blanche even admits these deceits – announcing that she wants to deceive Mitch enough to make him want her. Once again employing her escapist methods, and ignoring reality, she flirts with a “young boy” at the end of scene 5...	3 / 697
The Interrelationship of All these examples, covering light, lying, and alcoholism show how she is not in touch with reality but instead living in a fantasy world of illusion. The character Stanley represents the theme of reality...	2 / 432
The Real Blanche Dubois After realizing that she would never have those things she had always wished for, she began to create them out of herself; she began to fabricate lies so complex that even she believed them...	2 / 501