Throughout his career Botero has looked to the work of past masters, often quoting aspects of their works, but exaggerating the proportions to fit his own humorous and voluptuous style. Although he continued to paint, Botero moved his studio from New York City to Paris in 1973 and began to sculpt. Sculptures such as Big Hand (1976-1977, Hirshhorn Museum and Sculpture Garden, Washington, D...
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Sculptures such as Big Hand (1976-1977, Hirshhorn Museum and Sculpture Garden, Washington, D. C.) extend his painting style into three dimensions. Another large outdoor bronze, Broadgate Venus (1990, Broadgate Centre, London), is an overinflated version of a traditional artistic subject. In his paintings of the late 1980s Botero concentrated on subjects taken from bullfighting...
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