Dunne’s everyday life is portrayed and his constant need for drugs to get through each day is accentuated. The neorealist movement, an Italian movement stressing to view the world from a moral position, states that “a compassionate point of view and a refusal to make facile moral judgments (Giannetti and Leach: 2005:366)” are very important to a film, and that the “ordinary and the everyday are the main business of cinema” (2005:367)...
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Since this is the concept, Half Nelson exemplifies this by means of showing the real: without adding any kind of glamour to the scenes or characters, the audience can feel emotionally for Dunne as opposed to passing judgment based on his lifestyle. “I am sure that the film medium is the most suitable and effective way of presenting the dangers of drug abuse” (Wright: 180)...
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