This is the explanation for the ability to transform, which is one of the most outstanding features, and the very essence of the Handelian oratorio. The first of Handel’s Italian compositions, Le Resurrenzione, uses biblical characters, John and Mary Magdalene, but also Lucifer, who is not biblical...
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Il Trionfo, his second oratorio, is purely allegorical. These become two popular categories in his later oratorios, but are joined by a third category – those based on mythological subjects. His works can be further divided. In the biblical category there are heroic, anthem, and narrative groups. In the heroic compositions, the fate of the Israelites is at the forefront, and their deliverer is “the hero”...
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