While she only made two movies with Selznick during the duration of their contract, Ingrid made several other movies and starred in some stage productions during these years as well. The combined forces of Ingrid’s angelic natural beauty, which she did not embellish with the heavy makeup worn by most actresses at the time, and Selznick’s desire to cast her in “wholesome” roles, won her both the adoration of American audiences and an impeccable image that would follow her throughout the 1930s and 1940s...
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Ingrid had married Swedish dentist and later neurosurgeon Petter Lindstrom in 1937, and gave birth to a daughter, Friedel Pia, in 1938. Her roles as wife and mother further contributed to her seeming fulfillment of society’s expectations for females and the morality of the period. Both this stereotyping of her image on-screen and the public’s perception of her family life would change dramatically in the years to come as a result of her career choices and her relationship with Roberto Rossellini...
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