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Essay heading: ITALIAN REDEMPTION OF CINEMA: NEOREALISM FROM BAZIN TO GODARD, THE
 
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Issue: Music and Movies
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Date added: August 28, 1998
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No of pages / words: 27 / 7322
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From Zavattini's own perspective, neorealism acquires an exemplary value in its epistemological rather than ontological dimensions. One of his main creative principles was "conoscere per provvedere" [to know in order to provide], an imperative that in his opinion neorealism fulfills by way of a "pedinamento" or "stalking" of reality that proceeds not in the manner of a work of mimesis, but of a simultaneous exploration and construction of reality...
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No expressive means besides cinema has the possibility to convey knowledge to the greatest number of people"5 (Neo, 98). After initial, reductive efforts to interpret neorealism as a sign of sociopolitical redemption, historians of Italian cinema have tended to downplay the importance or cogency of neorealism, as have many directors such as Fellini, Visconti, and Antonioni who in their early careers came under neorealism's sway, only to disavow the influence in later years...
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