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Essay heading: Jean-Baptiste Carpeaux
 
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Date added: July 27, 2008
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He also received some of the most significant monumental commissions of the period: the architectural decoration of the Pavillon de Flore of the Palais du Louvre (1863-1866, Imperial France Enlightening the World and the Triumph of Flora); and The Dance (1865-1869) for the facade of the Paris Opera. His native Valenciennes commissioned several public projects between 1860 and 1884, including a monument to another of its native artists, Antoine Watteau (1684-1721)...
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He also received some of the most significant monumental commissions of the period: the architectural decoration of the Pavillon de Flore of the Palais du Louvre (1863-1866, Imperial France Enlightening the World and the Triumph of Flora); and The Dance (1865-1869) for the facade of the Paris Opera. His native Valenciennes commissioned several public projects between 1860 and 1884, including a monument to another of its native artists, Antoine Watteau (1684-1721)...
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