By presupposing the audience's familiarity with the humor or references in the narrative, the mode risks reaching an audience that does not relate to the material presented. Some films are unable to meet a large audience because their narratives are constructed from "inside" jokes that can not be understood by all who will see it...
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(Prince 290) The other mode of self-reflexive cinema that addresses an issue of importance is commonly known as didactic self-reflexivity. Beginning in the 1920s with Bertolt Brecht, a playwright who wanted to craft plays that were reflective of society and that made sure the audience was aware of this...
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Cinema Paradiso Alfredo saw this young troubled boy with such curiosity, and it was Alfredo who chose to teach him, and be the father he never had. Being such an important figure in Salvatore's life, he had the right to worry about him not turning out to be alone and unsuccessful like Alfredo...	4 / 1044
CInema Paradiso For the script, viewers will find half of the movie as a silent movie, showing only the emotions but when the characters speak, the lines are always with substance full of lessons, coupled with comical, romantic and emotional lines that best suite the characters themselves...	2 / 549
Cinema Paradiso Upon watching the entire movie, I was left with an impression that "one cannot have everything in life". There will always be choices to make and something must always be let go, even if it is difficult and painful...	1 / 256
Children in Early Italian Cinema She is much more intelligent than Zampano. She is bright enough to see that Zampano starts to care for her deeply, but is too stupid to show it. She understands Giraffa when he tells her she is like a stone and that she serves a purpose in life...	4 / 904