Cukor's "Sylvia Scarlett" (1936), in which Hepburn disguises herself as a boy throughout most of the movie, was perhaps the most notable early example of the androgyny that runs through Hepburn's career and a groundbreaking film for its undermining of socially constructed norms of femininity and masculinity...
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It also teamed her with Cary Grant for the first time, though it would remain for Howard Hawks ("Bringing Up Baby") and Cukor ("Holiday") to develop their on-screen chemistry more fully in their 1938 movies. Following the success of "Morning Glory" and "Little Women", Hepburn crashed and burned in "Spitfire" (1934), miscast as an Ozark mountain hillbilly, and returned to Broadway in "The Lake" (also 1934), her performance inspiring the famous Dorothy Parker quip: "Miss Hepburn runs the gamut of emotions from A to B...
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Disguise In Shakespearean Come Another possibility is that they just wanted to see their husbands and wanted to help them free Antonio from his bond. Even though this court scene was not comedic, this aspect of disguise heightens the comedy of the end of the play...	3 / 642
Feste, The Decisive Fool of Shakespeare's Twelfth Night It is a different and more harsh response considering the fact that the play is unabashedly a comedy, yet the effect is similar when compared to the film version...	3 / 608
Twelfth Night - Analysis of Fools Being equally welcome above and below stairs.." makes Feste significant as a character. In Twelfth Night, Feste plays the role of a humble clown employed by Olivia's father playing the licensed fool of their household...	4 / 1080
Foolish In Twelfth Night Being equally welcome above and below stairs.." makes Feste significant as a character. Feste plays the role of a humble clown employed by Olivia's father playing the licensed fool of their household...	4 / 1095