Charles Pierre Baudelaire was a writer in nineteenth century Paris, a contemporary of Manet, who knew Manet personally, and who wrote about the idea of modern life. Baudelaire encouraged the artists of the day to paint modern scenes, such as looking at the world around them for inspiration, rather than turning to scenes from the past, or idealised romanticism that was popular in the first half of the century... displayed 300 characters
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Baudelaire encouraged the artists of the day to paint modern scenes, such as looking at the world around them for inspiration, rather than turning to scenes from the past, or idealised romanticism that was popular in the first half of the century. In 1863 Baudelarie published his views on modern art in a book called The Painter of Modern Life, which was "widely held to be the source from which Manet drew his ideas about art... displayed next 300 characters
That same year The Battle of the Kearsarge and the Alabama was shown at the Salon, and Manet traveled to the Netherlands for the second time. The poet Stephane Mallarme, who met the artist in 1873, wrote articles about him in 1874 and 1876 and remained a close lifelong friend...
Margaret Fuller was the most successful and active feminist reformer out of all the transcendentalists. Margaret Fuller published "Women in the Nineteenth Century," a feminist book of demand for political equality and a plea for emotional, spiritual and intellectual fulfillment of women...
impeccably correct." Manet's paintings, by contrast, seemed unfinished, and the visible workmanship contrary to expectations. Today it's hard to imagine Manet's work as cutting edge, but he changed painting forever...
The objections to Olympia had more to do with the realism of the subject matter than the fact that the model was nude. While Olympia's pose had classic positioning but the subject of the painting represented a prostitute...
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