Hindemith appeared regularly at the Donaueschingen Festival starting that year, and in 1922-24 his Chamber Works were performed at the Salzburg Festival (which I assume was a fairly big deal at the time). Up until about 1925, Hindemith was pretty conventional, going along more or less complacently with the musical norms of his time...
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But in 1925, he came out with "Kammermusik", his first openly atonal composition. The piece was representative of new ideas, and roused lots of talk when it was performed at the Venice Festival of the International Society of Contemporary Music. Before he knew it, Paul was a sort of pioneer, a figurehead of the advancing frontier in "Modern Music"...
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