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Essay heading: Paul Strand
 
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Issue: Biographies
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Date added: March 16, 1997
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No of pages / words: 6 / 1561
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(Web Galleries) The "White Fence", perhaps the best known from this period, shows the white painted pickets of a fence across the lower half of the picture, setting up a rhythm which is syncopated by their imperfections. The spaces between the posts show a dark grass area, pictorially of equal weight to the white wood, setting up a 'figure-ground opposition' (we can see it as either light areas against a dark background or dark areas against a light background) in this part of the picture, producing the spatial illusion of bringing the horizontal grass expanse into a vertical visual plane...
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The buildings at the top of the picture instead of appearing distant, float in this same illusory space, with their further pattern of rectangles and diagonal elements. (Rosenblum) Other work of the same period show Hine's influence with direct close-up candid street pictures in which Strand caught the subjects unaware by a handheld camera with a showy fake lens at right angles to the actual more discrete aperture...
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