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Essay heading: Romantic Music: The Ideals Of Instrumental Music
 
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Issue: Music and Movies
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Date added: July 27, 2002
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No of pages / words: 4 / 851
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Program music aimed to absorb and transmit the imagined subject matter in such a way that the resulting work, although "programmed", does not sound forced, and transcends the subject matter it seeks to represent. Instrumental music thus became a vehicle for the utterance of thoughts which, although first hinted in words, may ultimately be beyond the power of words to fully express...
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One reason it was so easy for listeners to connect a scene or a story or a poem with a piece of Romantic music is that often the composer himself, perhaps unconsciously, was working from some such ideas. Writers on music projected their own conceptions of the expressive functions of music into the past, and read Romantic programs into the instrumental works not only of Beethoven, but also the likes of Mozart, Haydn, and Bach! The diffused scenic effects in the music of such composers as Mendelssohn and Schumann seem pale when compared to the feverish, and detailed drama that constitutes the story of Berlioz's Symphonie fantastique (1830)...
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