For example the sweeping grey floor and dull brownish walls. However, there is also use of striking colour, like the burgundy jacket and hat worn by the man decending the stairs and the bright green grid surrounding him.
There also seems to be a frame constructed out of the two front pillars in the painting where all the action takes place... displayed 300 characters
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It is also where the artificial light sources are coming from, like the booth, the staircase at the front of the painting and possibly some lights on the ceiling which cannot be seen. Everything outside of the frame seems alot darker in contrast, isolated and not so clear.
Mark Rothko appears to have painted this picture as an observer... displayed next 300 characters
Shakespeare uses different methods to create mood and atmosphere at the start of the scene. He uses devices such as language and the characters involved to create a 'fun' kind of mood at the very beginning by having Mercutio trying to wind up Benvolio, who has no intention of starting a fight but Mercutio does...
This is one of many views of love in Romeo and Juliet. Romeo and Juliet's love is indeed the main focus of the story, since it is so powerful. It is true love, and far outweighs the love for Rosaline that Romeo dealt with early in the story...
Prince Escalus then arrives and warns both families that anyone fighting will be punished by death. Later on in the play Benvolio and Romeo crash a Capulet ball that has been arranged by lord Capulet...
Zeffirelli shows some similarities and a few differences from what Luhrmann did in his film.
In Zeffirelli's film the fight between Mercutio and Tybalt is much longer then Luhrmann's and Tybalt is not as serious in Zeffirelli's as Luhrmann's film...
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