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Essay heading: Syd Barrett
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Biographies |
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| Date added: |
December 16, 1998 |
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| No of pages / words: |
4 / 1113 |
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0 times |
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"I was trying to tell him about this Arthur Lee song I couldn't remember the title of, so I just hummed the main riff. Syd picked up his guitar, followed what I was humming, and went on to use the chord pattern he worked out for 'Interstellar Overdrive'.
Pink Floyd then began to experiment, however, stretching out songs with wild instrumental freak-out passages incorporating feedback, electronic screeches, and unusual, eerie sounds created by loud amplification, reverb, and such tricks as sliding ball bearings up and down guitar strings... displayed 300 characters
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In 1966, they began to pick up a following in the London underground; onstage, they began to incorporate light shows to add to the psychedelic effect. Most importantly, Syd Barrett began to compose pop-psychedelic gems that combined unusual psychedelic arrangements (particularly in the haunting guitar and celestial organ licks) with catchy melodies and incisive lyrics that viewed the world with a sense of poetic, child-like wonder, pushung the pop format to its outer limits... displayed next 300 characters
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