The Ironic Secret Adapteur: Hitchcock And Hampton Adapting Conrad’S The Secret Agent

Essay specific features

 

Issue:

English

 

Written by:

Charlotte P

 

Date added:

March 16, 2015

 

Level:

University

 

Grade:

A

 

No of pages / words:

22 / 5977

 

Was viewed:

1498 times

 

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Essay content:

Here I shall be focusing on the concepts of authorship and adaptation when dealing with the analysis of two of these adaptations: Sabotage (1936) by Alfred Hitchcock and The Secret Agent (1996) by Christopher Hampton. The frontier between one and the other will be given by the use of irony, the element which articulates the narratological structure of the novel...
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Conrad on his Preface of The Nigger of the Narcissus Edges have always been one of the favourite playgrounds for artists. They have invented bridges, to cross from an artistic medium to another one. This essay might just as fittingly been titled “The frontiers of authorship in Conrad’s The Secret Agent, Hitchcock’s Sabotage (1936) and Hampton’s The Secret Agent (1996)”, such have been the divergent positions the film directors have adopted in order to portray Joseph Conrad’s novel The Secret Agent...
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