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Essay

The representation of the doubleness of selfhood in Charlotte Bronte's Jane Eyre and Jean Rhys's Wide Sargasso Sea

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Issue:

Book Reports

 

Written by:

Raymond S

 

Date added:

July 27, 2013

 

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Grade:

A

 

No of pages / words:

11 / 2964

 

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Essay content:

Jane is full of vengeful, raging ire, (of which her name is indicative), and can thus find her literal double in Bertha. Her ire first manifests itself in the 'red room' scene of the opening chapter, foreshadowing the aggression which Bertha is to act out later. The 'fiend-like' Jane is threatened with being 'tied down' in 'bonds' (p7) if she will not submit to her oppression, just as Bertha is tied down after her attack on Rochester, her patriarchal oppressor...
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While Jane is described as 'a mad cat' (p7), the fully-realised madwoman we are told, flew at Mason and 'worried [him] like a tigress.' (p253). Jane's battle for acceptance within the patriarchal prison in which she lives, however, necessitates a suppression of this anger. It is this stifling of her selfhood which generates the projected double, which will later actually emerge from Jane's psyche into a materialised separate entity - the stereotype of female madness...
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General issues of this essay:
Jane Eyre by Charlotte Bronte The representation of the doubleness of selfhood in Charlotte Bronte's Jane Eyre and Jean Rhys's Wide Sargasso Sea Wide Sargasso Sea vs Jane Eyre Charlotte Bronte's Jane Eyre Jane Erye vs. Charlotte Bronte Jane-Bertha link in Jane Eyre femininity in Euripides’ ‘Medea’ and Jean Rhys’ ‘Wide Sargasso Sea’. Revision of Master Narratives within Jane Eyre and Wide Sargasso Sea Subversion In Women's Fiction: Power Relations And Alienation In Jean Rhys's "Wide Sargasso Sea" And Arundhati Roy's "The God Of Small Things" Use of Gothic Elements in Charlotte Bronte's Jane Eyre Wide Sargasso Sea Vs Jane Eyre Charlotte Bronte's Jane Eyre Charlotte Brontes Jane Eyre An Jane Eyre - Miss Temple's Influence On Jane Jane Eyre And Little Women: Jane And Jo Comparison
 

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