At the bottom of the first paragraph the author, mentions "l'Ami des Lois", this was a French theatrical comedy at the time, followed by "Chaste Suzanne", which was a popular operetta. "The citizenesses in the gallery", is used in the second paragraph to describe the women that the upper-class men would seek to win approval of...
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In the final paragraph, "the sans-culotte always has his sword with the edge sharpened, ready to cut off the ears of all opponents of the Revolution", is symbolic for uprising and anger of the pro-revolutionary "sans-culottes". In the extract, the testimony that the author, Jacques-Rene Hebert, wishes to convey is that, although the "sans-culottes", are lower, working-class citizens, they are still important and essential to the French Republic...
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