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Ryunosuke Akutagawa and Patrick Suskind’s depiction of evil unveils human depravity in Perfume and “Rashomon”
Essay specific features
Written by:
Scott W
Date added:
June 4, 2014
Level:
University
Grade:
A
No of pages / words:
6 / 1560
Was viewed:
9881 times
Rating of current essay:
Essay content:
Relating to the modernism brought to traditional Japan, Akutagawa first uses colours—using their significance in Japanese culture—in representing evil thus revealing the society’s condition. His first subtle hint of evil is through the gate’s ‘crimson lacquer’ (p. 31) that has ‘rubbed off here and there’ (p...
displayed 300 characters
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31) that has ‘rubbed off here and there’ (p. 31), signifying that the once great construction no longer radiates with vitality and spirit; it is now a ‘hide-out … place for abandoning unclaimed corpses’ (p. 31). Akutagawa tarnishes the religious belief of the corrupted society with ‘broken pieces of Buddhist images’ (p...
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