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Creation: The Dilemma of the Poet-Puppet within Rilke's Fourth "Duino" Elegy and "Puppet Theatre," or "Marionettentheater"

Essay specific features

 

Issue:

Miscellaneous

 

Written by:

Ryan M

 

Date added:

November 20, 2013

 

Level:

University

 

Grade:

A

 

No of pages / words:

7 / 1767

 

Was viewed:

2451 times

 

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Essay content:

The speaker, however, states that even if someone tells him: "That's all"; even if emptiness floats toward me in a gray draft from the stage; even if not one of my silent ancestors stays seated with me, not one woman, not the boy with the immovable brown eye? I'll sit here anyway. (Mitchell 169) His unwillingness to yield to a being outside of himself is an adamant refusal to submit to the influence of another...
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(Mitchell 169) His unwillingness to yield to a being outside of himself is an adamant refusal to submit to the influence of another. He desires autonomy but is blind to the fact that there is no such thing. Anything that remotely resembles autonomy is a facade, not unlike the dancer who the speaker denies as, "However lightly he moves, / he's costumed, made up?an ordinary man / who hurries home and walks in through the kitchen" (Mitchell 169), like the speaker himself...
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