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Bedrich Smetana’s Piano Trio in G Minor, Op. 15
Essay specific features
Written by:
John M
Date added:
October 31, 2014
Level:
University
Grade:
A
No of pages / words:
5 / 1214
Was viewed:
3357 times
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Essay content:
This brings to mind the idea that Smetana may have used the theme similarity to show what kind of musician his daughter might have been had she survived adolescence (Hefling 320).
The first movement possesses two major themes that both utilize the chromatic descent of a fifth. This descent is also a common theme that ties the three movements together...
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The movement begins with an arresting violin solo on the G string of the violin which is representative of the baroque chromatic symbol for grief and sorrow (See Figure 1.).
Figure 1 (Smetana).
The motif of these opening measures is the unifying idea that binds the three movements together (Clapham 65)...
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