melody
Area II 163-186 24 e; I?d; V modulated key prepares to return to the original
key of d minor using trans melody.
Area III 186-197 12 used as a codetta before the recap. Transition
melody and 1st theme material are used at the
sametime by different voices
Recapitulation 198-298 101
Introduction 198-208 11 d; i---V
2nd theme 209-217 9 D; I---V change of mode from d minor to D major
transition 218-240 13 D; I (F;)V modulation to F major, but returns to V of D major
prolongation 241-259 19 d; I(various)V(deceptive cadence)
returns d minor, and leads to deceptive cadence
prolongation II 260-272 13 d; i---VI
prolongation III 273-298 26 d; i---i
coda 299-341 43
coda I 299-310 12 d; i---V using 1st theme material
coda II 311-326 16 d; i---i using 1st theme materialI
coda III 326-341 16 d; i---i new rhythmic gesture in vnII and vla(dotted rhythm)
exposition development recapitulation coda total
140 57 101 43 341
41 17 29 13 100% displayed 300 characters
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melody
Area II 163-186 24 e; I?d; V modulated key prepares to return to the original
key of d minor using trans melody.
Area III 186-197 12 used as a codetta before the recap. Transition
melody and 1st theme material are used at the
sametime by different voices
Recapitulation 198-298 101
Introduction 198-208 11 d; i---V
2nd theme 209-217 9 D; I---V change of mode from d minor to D major
transition 218-240 13 D; I (F;)V modulation to F major, but returns to V of D major
prolongation 241-259 19 d; I(various)V(deceptive cadence)
returns d minor, and leads to deceptive cadence
prolongation II 260-272 13 d; i---VI
prolongation III 273-298 26 d; i---i
coda 299-341 43
coda I 299-310 12 d; i---V using 1st theme material
coda II 311-326 16 d; i---i using 1st theme materialI
coda III 326-341 16 d; i---i new rhythmic gesture in vnII and vla(dotted rhythm)
exposition development recapitulation coda total
140 57 101 43 341
41 17 29 13 100% displayed 300 characters
